All Summaries for This American Life

Nine radio reporters. Two days. One rest stop on the New York State Thruway. Stories of people who are just passing through, and the ones who can’t leave, because this is where their jobs are. Act One: Host Ira Glass describes scenes from a rest stop on the New York State Thruway, the Plattekill Travel Plaza, and the kind of people you might meet if you ever stayed long enough to talk with them. These include Robert Woodhill, the general manager, who needs a good sales day so he can beat his friend Andy, who manages a rest stop in Maine, in their weekly competition. Ira hangs out with a group of foreign students who’ve landed in Plattekill on a summer work program, and reporter Lisa Pollak gets travel tips from Lenny Wheat, who works at the rest stop’s information booth. Reporter Jonathan Goldstein spends a few hours in the rest stop parking lot. (30 minutes)Act Two: More stories of travelers and workers at a highway rest stop. The competition between Plattekill and Maine continues. Reporter Sean Cole observes the lunch rush at the rest stop’s busiest restaurant and stumbles into a behind-the-scenes romance. Reporter Gregory Warner watches a cashier at the Travel Mart deal with an angry customer. Reporters Nancy Updike and Jay Allison hang out for the graveyard shift – midnight to 8 a.m. – and find a surprising amount of romance at the rest stop. (26  minutes)Transcripts are available at thisamericanlife.org

The mysterious hold supers have on their buildings, or that their buildings have on them. Host Ira Glass visits the Upper East Side building in Manhattan where Peter Roach has been the super for about ten years. Peter has a lot of keys. He doesn't know what most of them unlock. (4 minutes)Act One: Reporter Jack Hitt tells the story of how he helped organize tenants and threaten a rent strike in a New York City building back in the 1980s. Before long, Bob, the building super became his enemy. The situation got pretty ugly. Mobster ugly. Bob began to brag about how important he was in his native Brazil, how he could kill a person and be immune from prosecution. Only many years later did Jack find out how dangerous Bob really was. (23 minutes)Act Two: The super in Josh Bearman's Los Angeles building was kind of a needy character. He would sometimes ask Josh to come into his apartment and help him out -- check whether his garbage was being moved by a ghost, for example. Then one day he told Josh a story that involved these elements: a gas station, a beautiful woman, an orchid, a snowman, Indonesia, and a check he'd written for $30,000. It was so crazy, that naturally, Josh believed it. (12 minutes)Act Three: A man who we're calling "Dennis" inherits his father's job as a landlord of a big apartment building. His dad had warned him that bad tenants could drive even a good man to become heartless, but Dennis vowed that would never happen to him. He's tested on this point when he tries to help a couple that falls behind in their rent. He sets up a payment plan for them, teaches them how to make a budget, helps them with their personal problems. For six years, he stops himself from kicking them out. This story was co-produced by Sonari Glinton. (16 minutes)Transcripts are available at thisamericanlife.org

Legendary radio broadcaster Paul Harvey had a popular show called “The Rest of the Story.” Today on our show, we do just that. We hear from people who, whether they want to or not, find themselves face-to-face with the rest of their stories. Prologue: Legendary broadcaster Paul Harvey had one of the most popular radio shows of all time. For 35 years he served up big twists and  jaw dropping reveals all with his one-of-a-kind delivery. (7 minutes)Act One: Psychiatry used to be all talk. Then came a patient named Ray Osheroff. Producer Chris Benderev tells us what became of the man who changed therapy. (26 minutes)Act Two: Contributor Samuel James thought he knew what happened to his mother. But he was wrong. Then he was wrong again. (9 minutes)Act Three: A new resident in Berlin is greeted like a minor celebrity wherever she goes. The perks are nice, but does she really want to know why? Producer Bim Adewunmi has the rest of the story. (14 minutes)Transcripts are available at thisamericanlife.org

It’s the last few weeks of summer, so we’re going to the beach! This week, stories from the surf and sand. Prologue: Host Ira Glass reflects on his feelings about going to the beach. (3 minutes)Act One: Producer Dana Chivvis explores the case of a 66-year-old working lifeguard who is suing New York State for age discrimination after refusing to wear a Speedo on the job. (15 minutes)Act Two: Alex Blumberg talks to Shane Dubow about a time decades ago, when Shane went sea kayaking and camping with his friends on the beach in Baja California, Mexico. When Shane’s neck stiffens up on him, he finds himself looking for an unlikely chiropractor, in the middle of nowhere. (11 minutes)Act Three: This clip is from what Ira calls “the beachiest show” public radio ever made. It’s a segment from NPR’s 1970’s show, Ocean Hour. In it we hear from a man who lives on the beach, literally. He explains how it provides him everything he needs to survive. You can hear the original hour of radio, which included The Beachcomber, courtesy of Nation Public Radio, Inc. (3 minutes)Act Four: David Sedaris comes from a big family, who for many years growing up, took annual vacations to the same beach house. In this story, David tells us about losing a sister, and how her death prompted a family reunion back at the beach. David is the author of many books, including Calypso. (27 minutes)Transcripts are available at thisamericanlife.org